writer belongs to the generation that grew up in the 80's with Japanese cartoons. For this reason, today's post says the article by Antonio Scurati, appeared in La Stampa of June 5, Over the centuries loyal to Lady Oscar.
is not, it should be spelled out in a mass celebration of childhood nostalgia television lost. Seeks rather to analyze, within the limits of a short newspaper article, the impact of Japanese cartoons in "an Italy dominated by the films of Jerry Calà, disengagement craxi; [...] the era of declining night [...] and the dawn of Americans stubbornly stupid show, the god of entertainment and consumption of stories. "
was right in the middle of this landscape, dominated by paninari fashion, advertising and Okilprezzoègiusto Mulino Bianco, who "broke the sheer force of the mythical story of Japanese cartoons: Tiger Man, Captain Harlock, Lady Oscar , Fist of the North. " The severity of these stories, often atrocious, there were people who died in combat, "[...] there were great betrayal, strong passions. The cartoons were Japanese the only supplies for children capable of dealing with fundamental moral issues.
Those heroes [...] offered psychological conflicts are serious, uplifting drama, erotic passions overwhelming, all the merchandise on children born in the 80 to try to prevent a child. Lady Oscar was not Barbie. Those cartoons were dying, those suffering from cardboard, felt carnal desires and passions, ideals. As children, those cartoons were capable of feeling, and we bled, fought, were cut.
The Japanese manga became so, in the 80's, the last hotel of the soul child returned to childhood and his boundless sadness. The most sacred and untouchable feeling experienced by children. "
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