many many many wishes for happy holidays to all friends of yoyo
Wednesday, December 23, 2009
Monday, December 14, 2009
Tuesday, December 8, 2009
Tuesday, December 1, 2009
Kates Playground Get Involved
DIVERSITY 'AS AN OPPORTUNITY' TO ENRICH AND GROW :
the theme of this poetry competition and banned music from "The heart and the words" cultural association international non-profit organization based in Milan. The first prize was awarded to pupils of 3D
The musical text is titled " THE COUNTRY WE "
Foreigners in a different world, away from the others in customs and language, they can just say "HELLO "
With time you learn the language, you can share experiences at school or not, we become friends ... and you become a U.S., take the same route and the music is a magic that always unites.
The ceremony took place Saturday, November 21 at the Teatro San Carlo in Milan, in the frame of a moving musical celebration, presented by actors David and Anna Zelig Paniate Arione of Colorado. Among the guests at the David Van De Sfroos songwriter and poet Bruno Tognolini
Multiplication Charts 100 By 100
shelving modular Maria Yasko
The design of the library becomes a decoration wall, with new projects, modular shelving of the young Russian industrial designer Maria Yasko.
Rill, Bee and Tree Icelandic, there are three solutions consist of a series of deployable elements in Corian, curved, winding, of different colors, just a sticker, the inspiration and the needs of the moment can transform as want.
Maria Yasko - Bee
[from Designer Blog] 
The design of the library becomes a decoration wall, with new projects, modular shelving of the young Russian industrial designer Maria Yasko.
Rill, Bee and Tree Icelandic, there are three solutions consist of a series of deployable elements in Corian, curved, winding, of different colors, just a sticker, the inspiration and the needs of the moment can transform as want.
Maria Yasko - Bee
[from Designer Blog]
Monday, November 16, 2009
Best Drugstore Eyeshadow
MERRY CHRISTMAS NEW YEAR HIGHLIGHTS
GREAT SUCCESS FOR PUPILS II .... A VIDEO AWARDS. PRIOR TO THE POI IN STRASBOURG QUIRINALE
climate change have won all 
GREAT SUCCESS FOR PUPILS II .... A VIDEO AWARDS. PRIOR TO THE POI IN STRASBOURG QUIRINALE
climate change have won all
Tuesday, September 1, 2009
Blood Sugar Level Of 6.4 Is This Diabetis
Work-in progress-automation system Limulus
soon .... very soon ....... 
soon .... very soon .......
Friday, July 24, 2009
Sunday, July 19, 2009
Bottonless Females Pantless
Words fail me - the voice of Virginia Woolf interviewed by the BBC in 1937
"So let us take as a starting point the assumption that words are useless. This fortunately does not need many tests, because we all know" (Virginia Woolf)
Listen to the voice of Virginia Woolf from the BBC website 4.
Read the interview translated by Shop elephant. 
"So let us take as a starting point the assumption that words are useless. This fortunately does not need many tests, because we all know" (Virginia Woolf)
Listen to the voice of Virginia Woolf from the BBC website 4.
Read the interview translated by Shop elephant.
Tuesday, July 14, 2009
Thursday, July 9, 2009
What Is The Best Riding Helmet
choking hazard to nausea
[from Not only Proust, July 7, 2009]
"rich catalog of publishing houses, one or two a week. Books by the thousands, tens of thousands, all recently published, and hundreds hundreds for each gender. choking hazard to nausea. Write simple sentences. Or just words. Read the dictionary. Literature is dead, long live the book trade "(January 27, 1984)
" The writer who nowadays try to write something different from what the great literature of the industrial consumer to do swallow it looks like a player is missing a leg, which with its attempt to register as a prosthesis sprinter in a race "(April 18, 1984)
Sándor Márai, The last gift. Diaries 1984-1989, Adelphi 
[from Not only Proust, July 7, 2009]
"rich catalog of publishing houses, one or two a week. Books by the thousands, tens of thousands, all recently published, and hundreds hundreds for each gender. choking hazard to nausea. Write simple sentences. Or just words. Read the dictionary. Literature is dead, long live the book trade "(January 27, 1984)
" The writer who nowadays try to write something different from what the great literature of the industrial consumer to do swallow it looks like a player is missing a leg, which with its attempt to register as a prosthesis sprinter in a race "(April 18, 1984)
Sándor Márai, The last gift. Diaries 1984-1989, Adelphi
Thursday, July 2, 2009
Friday, June 26, 2009
What Do You Do With Outlets On Backsplash
on a book unread
[Umberto Eco. L'Espresso , July 20, 2007]
know of a book report with the books out more often means not having read it.
remember (but, as we shall see, not necessarily good memories), a beautiful article by Giorgio Manganelli, in which he explained as a fine player knows that a book you should read before you open it. He was not speaking of that virtue which often requires the reader to the profession (or the amateur of taste), they can decide by an incipit, two open pages at random from the index, often from literature, if a book is worth or not worth to be read . This, I would say, it's just business. No, Manganelli talking about a kind of enlightenment, which ostensibly and, paradoxically, claims the gift.
'How about a book without having ever read' (Excelsior) Pierre Bayard (psychoanalyst and professor of literature) is not about how you have to know if you do not read a book, but of how one can safely speak of a book unread, even by teacher to student, and even if it is a book of extraordinary importance. The its calculation is scientific, good libraries collect several million volumes, even to read a daily read only 365 in one year, 3600, in ten years, and between ten and eighty, we would have just 25,200 beds. Trifle. On the other hand, anyone who has had a good high school education knows to hear a speech, say, on Bandello, G., Boyar, many tragedies of Alfieri, and even 'The Confessions of an Italian' having only learned in school the title and critical position, but without ever having read a line.
and placement is critical of the critical point for Bayard. He says without shame that he never read the 'Ulysses' by Joyce, but to discuss it, alluding to that is a reprise of the 'Odyssey' (even if he admits he never read in its entirety), which is based on the monologue, which takes place in Dublin in a day, and so on. Thus he writes: "So I happen frequently in my classes, without batting an eye, often referred to in Joyce." Know of a book report with the books Read more often means that not having read it.
Bayard shows how, when there arises to read certain books neglected for some time, we realize that he knows very well the content because in the meantime if they were read others talking about it, cited them, or moved in the same order of ideas. And (as does some hilarious analysis of various literary texts in which they are never read books by Graham Greene in Musil, Valéry by Anatole France, and David Lodge) I am honored to dedicate an entire chapter to my 'The Name of the Rose', where William by Baskerville shows to know very well the contents of the second book in the 'Poetics' of Aristotle, although he is picking up for the first time, simply because it relies on other pages Aristotelian. We will see at the end of these bags that do not cite this quote by mere vanity.
The most intriguing part of this pamphlet, less paradoxical than it seems, is that we forget too high a percentage of the books we read really, or rather they we compose a sort of virtual image made not so much of what they said, but of what we have done comes to mind. So if someone who has not read a book, there cites passages or situations exist, we are very ready to believe that the book talked about it.
is that (and here comes out the psychoanalyst rather than the teacher of literature) Bayard is not so much interested in the people who read the books of others, but rather the fact that each reading (or non-reading, reading or imperfect) should have a creative aspect, and that (to put it in simple terms) in a book the reader should first put its. Much to hope for a school where, as talk of unread books is one way to know yourself, the students 'invent' the books that will not have to read.
[Umberto Eco. L'Espresso , July 20, 2007]
know of a book report with the books out more often means not having read it.
remember (but, as we shall see, not necessarily good memories), a beautiful article by Giorgio Manganelli, in which he explained as a fine player knows that a book you should read before you open it. He was not speaking of that virtue which often requires the reader to the profession (or the amateur of taste), they can decide by an incipit, two open pages at random from the index, often from literature, if a book is worth or not worth to be read . This, I would say, it's just business. No, Manganelli talking about a kind of enlightenment, which ostensibly and, paradoxically, claims the gift.
'How about a book without having ever read' (Excelsior) Pierre Bayard (psychoanalyst and professor of literature) is not about how you have to know if you do not read a book, but of how one can safely speak of a book unread, even by teacher to student, and even if it is a book of extraordinary importance. The its calculation is scientific, good libraries collect several million volumes, even to read a daily read only 365 in one year, 3600, in ten years, and between ten and eighty, we would have just 25,200 beds. Trifle. On the other hand, anyone who has had a good high school education knows to hear a speech, say, on Bandello, G., Boyar, many tragedies of Alfieri, and even 'The Confessions of an Italian' having only learned in school the title and critical position, but without ever having read a line.
and placement is critical of the critical point for Bayard. He says without shame that he never read the 'Ulysses' by Joyce, but to discuss it, alluding to that is a reprise of the 'Odyssey' (even if he admits he never read in its entirety), which is based on the monologue, which takes place in Dublin in a day, and so on. Thus he writes: "So I happen frequently in my classes, without batting an eye, often referred to in Joyce." Know of a book report with the books Read more often means that not having read it.
Bayard shows how, when there arises to read certain books neglected for some time, we realize that he knows very well the content because in the meantime if they were read others talking about it, cited them, or moved in the same order of ideas. And (as does some hilarious analysis of various literary texts in which they are never read books by Graham Greene in Musil, Valéry by Anatole France, and David Lodge) I am honored to dedicate an entire chapter to my 'The Name of the Rose', where William by Baskerville shows to know very well the contents of the second book in the 'Poetics' of Aristotle, although he is picking up for the first time, simply because it relies on other pages Aristotelian. We will see at the end of these bags that do not cite this quote by mere vanity.
The most intriguing part of this pamphlet, less paradoxical than it seems, is that we forget too high a percentage of the books we read really, or rather they we compose a sort of virtual image made not so much of what they said, but of what we have done comes to mind. So if someone who has not read a book, there cites passages or situations exist, we are very ready to believe that the book talked about it.
is that (and here comes out the psychoanalyst rather than the teacher of literature) Bayard is not so much interested in the people who read the books of others, but rather the fact that each reading (or non-reading, reading or imperfect) should have a creative aspect, and that (to put it in simple terms) in a book the reader should first put its. Much to hope for a school where, as talk of unread books is one way to know yourself, the students 'invent' the books that will not have to read.
Friday, June 19, 2009
Saturday, June 13, 2009
Which One Is The Pin For A Microsoft Mouse 5000
Writer? Let's see how you're sitting
[Sandra Petrignani. Panorama, 25 August 1999]
Viktor Sÿklovskij, The job of the writer and his technique , Liberal
With the boom of writing schools and the proliferation of manuals to learn to write, it is surprising that it had not been This intelligence still operate translated by Viktor Sÿklovskij, output in the USSR in 1927. He did it now Pia Pera, reinventing the pen of the most sympathetic light between the Russian formalists, that group of brilliant 'disassemblers' of literary texts that also counted in its ranks, Roman Jakobson, Boris Eikhenbaum and many others.
'I really wish there could be a better teacher of writing' comments Emanuele Trevi in \u200b\u200ba beautiful introduction. It is absolutely right. The author of the famous Theory of Prose (published in '25) in this booklet summarizes the working class to use the golden rules to make up news stories and original stories. It is a teaching against the boredom and clichés, never losing sight of the fact that literature is an art slippery disorderly and anarchic, in which the technical rules can be generalized only choice.
But what are these rules? First of all 'become aware of a player' is not given writer who does not initiate a strong player. Then 'we must learn to sit for a long time'. Then keep diaries and sketchbooks. Then 'search for an exact definition for everything'. Then hurry 'to put the'. Then 're-read as often as possible what is written'. Elementary my dear Watson? Undoubtedly yes, but in this abc of writing Sÿklovskij sa lavish, with its famous spirit, small useful insights. If you do not become writers, read great he analyzed: Tolstoy, Chekhov, Gogol, Dostoevsky. A lesson in 'formal', Vittorio Strada observes in the preface, to be part of a maestro 'of Russian literature of the 20 best'. 
[Sandra Petrignani. Panorama, 25 August 1999]
Viktor Sÿklovskij, The job of the writer and his technique , Liberal
With the boom of writing schools and the proliferation of manuals to learn to write, it is surprising that it had not been This intelligence still operate translated by Viktor Sÿklovskij, output in the USSR in 1927. He did it now Pia Pera, reinventing the pen of the most sympathetic light between the Russian formalists, that group of brilliant 'disassemblers' of literary texts that also counted in its ranks, Roman Jakobson, Boris Eikhenbaum and many others.
'I really wish there could be a better teacher of writing' comments Emanuele Trevi in \u200b\u200ba beautiful introduction. It is absolutely right. The author of the famous Theory of Prose (published in '25) in this booklet summarizes the working class to use the golden rules to make up news stories and original stories. It is a teaching against the boredom and clichés, never losing sight of the fact that literature is an art slippery disorderly and anarchic, in which the technical rules can be generalized only choice.
But what are these rules? First of all 'become aware of a player' is not given writer who does not initiate a strong player. Then 'we must learn to sit for a long time'. Then keep diaries and sketchbooks. Then 'search for an exact definition for everything'. Then hurry 'to put the'. Then 're-read as often as possible what is written'. Elementary my dear Watson? Undoubtedly yes, but in this abc of writing Sÿklovskij sa lavish, with its famous spirit, small useful insights. If you do not become writers, read great he analyzed: Tolstoy, Chekhov, Gogol, Dostoevsky. A lesson in 'formal', Vittorio Strada observes in the preface, to be part of a maestro 'of Russian literature of the 20 best'.
Friday, June 12, 2009
Monday, June 8, 2009
Friday, June 5, 2009
Tuesday, June 2, 2009
Thursday, May 28, 2009
Friday, May 22, 2009
Tuesday, January 27, 2009
Snowmobile Starter Install
The Club Dumas - Arturo Perez Reverte - The accalappiastreghe
I love Dumas (The Three Musketeers first book of my life I've read at least 4 times) so when I discovered in the Library Club Dumas I felt like a greedy in front of his favorite dessert.
I love Dumas (The Three Musketeers first book of my life I've read at least 4 times) so when I discovered in the Library Club Dumas I felt like a greedy in front of his favorite dessert. And this book full of suspense, intrigue, plot twists, and scholarly citations, it has proved a real pleasure: I read in one breath, with a pen, "The Three Musketeers" at your fingertips to follow the clues and fully immerse myself in history.
only flaw made me seem almost trivial Shadow of the Wind by Carlos Ruiz Zafon.
Subscribe to:
Posts (Atom)